SSilhouette, on 28 September 2012 - 09:58 PM, said:
How would an artist of the 15th Century know? Maybe by reading the same passage at the crucifixion where only three women are named there and Jesus addresses one of them as "the beloved disciple"...and Philip's accounts of Magdalene being Jesus's favorite disciple. And of all the disciples given large family histories only "John the anonymous beloved disciple" is given without any history at all. Funny tribute to a "man" who was the closest to Jesus, while his lessors were given the red-carpet treatment. Maybe Da Vinci knew how to read? Or more importantly, maybe he also knew how to read between the lines..
Maybe he studied the gnostic gospels and using those accounts did the painting? If you look closely, you see there appears to be a division centered precisely over the presence of Magdalene next to Jesus. The one's to the right seem to be pointing accusing fingers in her direction. The ones on the left seem to be consoling her. While Jesus seems to be sitting in the middle with a look on his face that says, "Oh Jesus, not this again *sigh*..."...lol
I first want to qualify this response by saying it is not my opinion, rather that of others.
Leonardo’s esoteric interests and orientation have now been well established. He has been described as an early Rosicrucian. His biographer, Vasari, called him a man with “an heretical cast of mind.” He subscribed to, for example, the ancient tradition that Jesus had a twin and in his Last Supper, he painted two identical Christs. He is also listed as the 12
th grand master of the secret organization, the Prieure de Sion. If he was indeed the grand master, it is more than possible that he had access to ancient information and references.