the L, on 01 November 2011 - 10:27 AM, said:
They used papyrus (in later periods), leather and realy intersting wax tablets.
This is true. I didn't say other materials were not used. Still, the vast amount of writing was done on clay. It was the most abundant material at hand.
Many cylinder seals were carved from stone, which I did not mention in my previous post. The photographs of the seals we tend to see on rectangles of clay, are usually modern clay productions achieved from the cylinders themselves (
see example here).
Like I mentioned before, and questionmark before me, cylinder seals were property markers. They were not used for the sake of historical records, and they certainly did not impart esoteric, scientific mysteries like the production of electricity. You see this sort of thing in fringe literature and in half-baked websites, but neither venue represents a legitimate interpretation of evidence. A good example is the cylinder seal designated VA243, which Zecharia Sitchin argued was "evidence" for his 12th Planet, Nibiru. This is a photo of an impression produced from the seal:
In typical fashion Sitchin butchered the interpretation of the iconography and imagery on the seal--in no way does it show a 12th Planet. That's complete fiction. Nor does the writing on the seal hint at such a thing. The cuneiform on the right edges states (from Heiser's analysis):
Dubsiga, Ili-illat, your servant
The first two words are personal names, and the man Ili-illat, a servant of an official named Dubsiga (the first name given), was the owner of this seal. The cuneiform on the left edge repeats Dubsiga's name. So, the writing on VA243 tells us a man named Ili-illat was acting on behalf of an official named Dubsiga in the conducting of transactions for that official. There is nothing here, either in writing or in iconography, about a 12th Planet.
VA243 always serves as a good example of fringe misrepresentation of artifacts. The same goes for the seal impression ISAEYEALLSEEING showed in Post 84. This seal contains a series of serpopards intermixed with winged figures (perhaps eagles or griffins), and someone stretched his imagination and colored it with fanciful notations that have no realistic bearing on the seal itself. People do this with ancient artifacts all the time. They're not drawing from evidence revealed in the art itself--they're using their imaginations, which is the same as speculation, and that doesn't prove much of anything.