skookum, on 01 March 2012 - 10:54 AM, said:
Just when I was going to throw the towel in on the Bigfoot theories I watched a episode of Monster Quest (I know it is hated on here) called critical evidence.
Uh huh.
skookum, on 01 March 2012 - 10:54 AM, said:
They re-examined the Patterson footage and some interesting things came up. The first was they determined via a photographic expert the film was 25mm wide screen and not 35mm as previously believed. The expert was able to determine the height of the creature or as most people believe on here a person in a costume. It came out between 7.4 feet to 7.6 feet.
Are you positive about that? I think you might be talking about the filming speed, which has been in question for some time. The film was shot on a Cine-Kodak K-100 which only comes in 16mm. It has a speed dial to vary the frame rate, the options of 16, 24, 32, 48, and 64 frames per second are available. The frame rate is important because John Napier concluded that if the movie was filmed at 24 frame/s then the creature's walk cannot be distinguished from a normal human walk. If it was filmed at 16 or 18 frame/s, there are a number of important respects in which it is quite unlike man's gait. Patterson originally estimated the purported creature to be six and one-half to seven feet, which he later changed to seven and one half feet. No doubt the show is attempting to validate the later claim.
skookum, on 01 March 2012 - 10:54 AM, said:
The second was a special effects expert who believe the suite would have been very difficult to manufacture around that time as stretchable materials that could hold the hair were not available then. If it was a suite he could determine how it would have been made with the materials around then. Also the shape of the head would have made it difficult to impossible for a human to wear. It would have also cost mega money to have made something that good.
Let me guess - Bill Munns? He says stuff like this a lot. I like Bill Munns, he puts out some good reading, but I think it is quite obvious that he is a very biased "footer"
Dynel is the material the suit was made of, which was also commonly used to fabricate wigs. It sure had the properties required to make the suit.
Can you offer why the headpiece was spectacular? Unfortunately the picture Sakari put up I cannot see, so I will offer you this example of the late great Charles Gemora, from a film he made in 1932.
As you can see, almost 40 years earlier, comparable costumes were in film. The suits were commonly bought by studios, circuses and in particular, a side-show routine that depicted an attractive woman changing into a gorilla. Production was high, when production is high, prices drop, if memory serves, I am pretty sure that Morris claims he sold the suit to Patterson for $450.00.
skookum, on 01 March 2012 - 10:54 AM, said:
It was very interesting indeed. One thing I can't get my head round is if it was a hoax why did they go to such lengths in detail when they only used a low quality camera. It is almost like they knew that in 30 years time we would have sophisticated computers to examine it in great detail.
Adding to the suit for authenticity might have been as much an exercise for Roger Patterson as a hobby. Did the show mention that Roger Patterson was an experienced hobbyist leatherworker, and had a full compliment of leather-working tools in his shed at the time? He borrowed the camera, and indeed an arrest warrant was issued for no returning it, which he did at the last second, and the charges were dropped. For the purposes, it seems to me to have been the perfect tool.
Edited by psyche101, 08 March 2012 - 07:13 AM.