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As for the similarity of the ancient dragons all over the world, the proof is there.
agreed there is plenty of proof that ancient peoples from all over the world knew of creatures,entities,deities that have been retrospecively termed 'dragon'. Many of them are physically similar, some have a common root; but many of them are dissimilar physically and represent/signify different things. I would hazard that ALL have their origins ultimately in Serpent worship/cults/reverence and in collective identities.
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There is no record of contact between the Sumerians and the Chinese, yet their dragons are nearly the same, not only in appearance, but in their relationship with humans.
I know of no ancient record of direct contact between sumerian and chinese cultures, this however does not mean that there was none. It is far more likely that contact was indirect, trade routes....of this we are certain. The picture you posted is not of a dragon at all...It is a bixie, a composite creature, like a chimera...made poplular by the Han dynasty.
Actually the Han 'bixie' appeared relatively late in china, about 200 BC or so, the earliest dragon depiction found in china dates to more than 2000 years BEFORE this, it is serpentine and already identifiable as the 'Lung' or 'Long' dragon. The Han dragon entered chinese stylistics because the Han embraced 'barbarian' art from the north and west...(which had its cultural source in mesopotamian art.)----indirect trade
The dragon began in china as a totem animal of one of the Xia peoples, and is found in the Longshang culture which has yeilded some of the earliest depictions...here are some...
This is apparently the oldest dragon identifyable as a lung/long. from henan province....dated from the xia shang period (between 3000 or so and 1100 BC....much earlier than the Han)
!n addition to the discovery of the said tracks, a large turquoise dragon ware was excavated, which is believed to be the earliest dragon-shaped totem. The dragon, about 70 centimeters long and made up of 2,000-odd various fine pieces of turquoise, is a rare antique in terms of scale, exquisiteness, and weight.
http://www.china.org.cn/english/features/A...logy/149496.htmhttp://www.stonepages.com/news/archives/002011.html
Other depictions of dragons, in their progression to becomming the full composite we see today, were depicted on the shallow bowls or 'pen' of the Xia and Shang...
http://www.phoenixbonsai.com/BigPicture/Pen.html
Above 12.3 cm H; 32.4 cm W; 5.3 kg. Shang (Late Anyang, 12th - 11th cent. B.C.E. )


3D head in the centre, cool.
and here's a few interesting links, and a good article source
http://www.geocities.com/Tokyo/Bay/7051/Southchina1.htmhttp://www.yutopian.com/dragon/http://www.geocities.com/olmec982000/xia.htm this is another page by mr c winters which is quite relevent.
also this article...
Daniel L. Overmyer, David N. Keightley, Edward L. Shaughnessy, Constance A. Cook, Donald Harper
The Journal of Asian Studies, Vol. 54, No. 1 (Feb., 1995), pp. 124-160
The Bixie 'is' based on the mesopotamian composite creature called the mushussu, which came to the han via Luristan and the Sarmatians et al. in other words, it is not originally of chinese conception although it has stylistically evolved- it it gradually lost its reptilian form and came to sport a feline body, with feline hind legs instead of those of a raptor.


None of these dragons look like archosaurs, none have modified rib gliding aparatus. The bixie like the mushussu has feathered wings.
They all are mythical creatures and did not at any time really exist.
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DC- Of course the Sumerian version of the events of Genesis will be more accurate, they were written down over a 1000 years before the hebrews finally recorded them, with that thousand years of retelling causing there to be inaccuracies. But from the exodus, these events were recorded shortly after they occured.
The tales have common motifs but the emphasis is very different.
How many of the books was moses credited to have written? His God who demands exclusive worship is Jehovah, as was Joshua's...Jehovah is certainly the God of Exodus, and claims to be one.
For Jesus son of the highest El this is blasphemy? Im having a hard time believing that Jesus (son of El) would ratify this, and encourage it...it would mean that he was in on the lie.
My bible knowledge is (i would concider) deficient, and i dont seek to challenge any religious authority (on this point at least), i dont think my observation about the menorah challenged anything, infact as far as i am aware the image is still causing debate on the subject.
I was also aware of that failedmessiah.com,
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...The base itself may have had three legs, like both Rashi and the Rambam
say, and all Jewish representations show...In any event, it is
clear that it did not have the double-hexagonal base...
from a house in the very wealthy, upper class area
of the Upper City of Y'rushalayim, one from which the BhM was actually
visible; the house was destroyed at the time of the Destruction of the
Temple from all indications. Thus it is a representation from the time
that the Menorah still existed. The fact that it is depicted next to a
representation of the Shulhan of the Lehem haPanim proves that it is
meant to be the Menorah in the Hekhal, as do the decorations of
elliptical (egg-shaped) objects on the arms, presumably the kaftorim.
Again, it is not completely detailed (the numbers of the g'vi'im and
kaftorim are not correct, and there are no p'rahim), but the same
comments about a) apply: its relative dimensions are exactly correct; it
shows the same relative size of the tripod base to the arms...
...d), OTOH, is clearly different from a),

, and any of the c)s. The base
is entirely different, and out of proportion with the rest of the
menorah. The arms are all semicircular (as they are in some 3rd - 4th
Century representations from Jewish synagogues shown in JE 11:1357-1361)
and therefore the space between the inner arms and the central arm is
noticeably greater than the distance between the other arms. It has
clear kaftorim and p'rahim, although in the wrong number (not covering
the entire arms, but a greater number on the outside, longer arms). It
is not clear what the g'vi'im are meant to be: they seem to be flattened
bowl-shaped objects above and below the kaftorim, but the concave faces
of each face the kaftor, so that the concave part of the upper bowl
faces down and the concave face of the one below faces up. The central
arm appears to be wrapped with some decoration below the outer arms, and
the base is two giant hexagons, the top one larger than the lower one,
with decorations on the side panels. Examination of the panels of the
hexagons shows that the central one on the upper hexagon has a picture
of two eagles holding a (laurel?) crown. To its left and right are
panels showing a ketos, a aquatic monster usually with a serpent body
and the head of a bird or other animal. In the lower hexagon are three
panels with various kete (plural of ketos). A ketos is called drakon by
Hazal; in the Mishna Avodah Zara 3:3 it shows that a drakon was suspect
of being a symbol of AZ. How would that get into the Temple? Even worse,
the eagle was the symbol of Imperial Rome, and as such was an anathema
to Jews longing to be free of Roman rule.
AZ 43a that a drakon that is osur has scales on its neck, and
the Tosefta in AZ that says "if the neck was smooth, it is muttar." This
evidence, that the base was made showing the symbol of Imperial Rome and
avoiding AZ, matches Herod the Great. He was put in his position, after
Matitya Antigonos, by the Roman, and Josephus in Antiquities of the Jews
tells us that he erected a great golden eagle over the gates of the
Temple, an act that angered the Jews. OTOH, he always was careful to
portray himself as King of the Jews and avoided any outright AZ. So, R.
Sperber concludes, it must have been Herod who put on the base. Why
would he have monkeyed around with the Menorah? Probably because shortly
before his reign the Parthians entered Y'rushalayim and plundered it.
The Menorah may well have been broken at its weakest point, its small
base, at that time, and Herod, whose mark was large construction
projects many of which were for the benefit of the Jews while at the
same time reminding everyone of Roman sovereignty (as he did in his
reconstruction of the BhM), would naturally have made a large new base,
for the good of the Jewish Temple but with Roman symbols.
So it is extremely probable that e) was actually drawn from someone who
saw the Menorah as it was paraded through Rome in 71 and perhaps later,
wherever it ended up. But some of the exact details, like the exact
number of kaftorim, or the exact curve of the arms, is wrong, because
the sculptor no longer had the Menorah in front of him.
http://www.aishdas.org/avodah/vol12/v12n065.shtmlExamination of the panels of the
hexagons shows that the central one on the upper hexagon has a picture
of two eagles holding a (laurel?) crown. To its left and right are
panels showing a ketos, a aquatic monster usually with a serpent body
and the head of a bird or other animal. In the lower hexagon are three
panels with various kete (plural of ketos). A ketos is called drakon by
Hazal; in the Mishna Avodah Zara 3:3 it shows that a drakon was suspect
of being a symbol of AZ. How would that get into the Temple? Even worse,
the eagle was the symbol of Imperial Rome, and as such was an anathema
to Jews longing to be free of Roman rule.
perhaps you read it differently to me, i find the theory above to be quite possible.
The point made above that the depiction on the arch of titus was WRONG in other respects besides the base indicates that the artist may not have as faithfully recorded the menorah as the apparent attention to detail suggests.
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nothing on the menorah is "Roman Imagery". If it had been , the Jews would have rioted in protest, becasue this would have been a far worse affront to them, than merely putting a Roman eagle on the gates. I thought you knew a little about this period of history?
agreed many Jews would have seen it as an affront....possibly. The number of folk permitted to see it would be very low...that is, ofcourse if the one depicted was the main menorah, there were 7 or so? And also it depends whether those images on the panels were really on the base and not an invention of the artist...the issue is far from conclusion.
There are no winged angels in either Jewish or Roman art at this time, especially for public display (as far as i recall) The closest being Nike/Victoria, and no cherub looking ones (often depicted in pairs holding emblems) other than Eros/Cupid.
If you know of any such depictions of angels i would be grateful for a reference or example.
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And see how similar this very ancient Chinese dragon is to the Sumerian ones. They are virtually identical in body form despite being seperated by thousands of miles. They help people in the same manner, like the same things, including alchoholic beverages! in the succedding centuries when people saw fewer and fewer real dragons, the oriental dragrons became more serpent-like with the symbolic attributes of other animals, whereas western dragons have become more and more like dinosaurs.
As i have shown elsewhere, and above; the Chinese dragon originated from a serpent totem/cult symbol which was already 2000 years evolved (become composite of other clan totemic features) BEFORE the Han bixie you present; which means that your conclusion that it became the 'Long' serpentine dragon due to increasing unfamiliarity is incorrect....besides which they would always have had previous depictions to refer to (if it were so).
The Chinese Long and the western dragon only share the same root in that they originate somewhere in serpent totemism.
It is possible that we have an example of how an animal can become a totem, then a cult figure, and how that can affect its physical representation in the story of the Brazen Serpent (albeit in a greatly reduced timeframe).