QUOTE (AtheistGod @ Jan 14 2008, 03:20 PM)

Well I understand why the writers are on strike the studios won't give in.... Fact is I see this coming down to who out waits who the longest and many of the writers are already struggling to put food on the table. The writers will go back to work whether they want to or not.
This being said very few live TV shows are the same w/o the writers. Bill Maher doesn't have new rules and Stephen Colbert no longer has his famous 'The Word' segment.... yeah the strike sucks.
Also I would be interested in seeing the stuff that doesn't get made, seems to me like many writers have been slacking on the job for far to long putting out mediocre and just plain awful movies for the last ten years. TV is still alright though... good shows pop up from time to time.
Maybe they should pay the writers by the hour like every other average Joe.... I dont see someone at an automobile plant making cars get royalties from every car sold despite the fact that they work hard to make them. People who manage to be successful in Hollywood are often paid 7 figures their work, sorry if i seem a little unsympathetic as their are people in Hollywood getting paid even less for more work.
Conceptual artists for example rarely find work and when you do it still pays less then penning a script most of the time.
Anywho I support a pay raise when I start seeing better movies.... remakes and sequels just dont cut it for me, I want original movies not yet done.... WGA how about a brain fart on that piece of paper or computer screen and make me a movie that will blow my mind.
I don't think it will come down to who can wait the longest. Chances are, the strike will be over in July. The studios have enough stuff that they can keep going until the actors strike, which will then put the ENTIRE industry, even realtiy tv, to a standstill. You can't make those shows without hosts, and for the most part, the hosts are part of SAG or AFTRA. Thats why I think the WGA wasn't being too smart when they decided to strike in November, they should have held out until until July to strike with the other unions. Anyways, what's done is done.
And trust me. You do NOT want to see the crap that doesn't get made. It's not funny bad, it's just bad. So very bad. And while the writers aren't completely blameless for the sh**tiness of most movies of the past 10 years, the majority of the bad films happen as a result of the studios. If a writer sells a spec script and it sucks, yes, blame the writer completely, it's their fault. For the most part, films that get made are made because some guy with a lot of power/money thought of something that he decided was cool, and then paid a writer to write it for him. When that happens, the producer has creative control over the script, and anything he doesn't like, regardless of how clever or awesome it may be, has to go. And even on the rare occasion that a writer does sell a spec script, if they won't make the changes a producer requests, the producer will just hire another writer to come in and change it, sometimes so much that the original writer doesn't even get a credit on it, just the money. Right now, the only person getting away with doing whatever they want in a script is Diablo Cody, and even she had to do 3 drafts after they bought the script.
For the record, some members of the WGA are paid by the hour if they're hired to do quick revisions or script analysis. And writers aren't fighting for a pay raise. They're fighting for new media residuals. The reason writers are paid residuals and people who make cars are not, is because the materials written by the writers can be used to make money for the next 50 or even more years. Once a car is sold, the dealership stops being paid for the use of that car. With film, the company is paid everytime someone goes to the theater or turns on the tv. I'm wondering where you heard that writers make 7 figures? That almost never happens. When it comes to film, writers make 3-5% of the budget, not counting the advertizing budget. Believe it or not, most films don't cost enough for writers to make 7 figures, and for the huge projects where the writing budget would be that much, there's more than one writer and the money would be split.
As for people getting paid less in film, you're absolutely right. I'm not a WGA member, for the most part I do production coordinating, but I'm working to get enough credits to join the union. First of all, no one working regularly in film isn't poor. Even production assistants make more than the average person working in an office/retail/whatever. The reason writers and actors are paid more, is because they have 0 job security. I'm lucky enough to have below the line and above the line experience. Working below the line, you can work steadily for years. When it comes to writing and acting, chances are you won't ever find a job past the age of 30 or you'll sell 1 script and never sell another again. It's a tough industry, and there are too many people trying to get in for above the line people to stay around for long. Residuals are pretty much a retirement plan. Once you stop getting regular work, you have to leave the union, so you lose your health benefits, and the only thing you have is residuals.
In conclusions, the sequels, prequels, etc are commisioned by the studios, if you have issues with them, take it up with them. Wruiters know those movies suck, but have no influence on what gets made and what doesn't.
Sorry this is really long. If there's anything I didn't cover or that I should have elaborated more on, let me know.