QUOTE(The Chupacabra King @ Apr 16 2007, 07:31 PM) [snapback]1632300[/snapback]
Quite, but it doesn't explain the "lady split in half in full view trick"
This will.
First, I think we can all agree that it's not real? I mean, he obviously didn't really bisect a human being! So, now we're down to how did he make us
think he did.
You are assuming everything in the segment was shot in real-time. After having watched the video, and as someone who has worked in the motion picture industry for nearly 30 years, I can assure you it was not. Reference:
http://www.youtube.com/watch?v=Ar7jkOpnYMc and I'll try to point everything out for you.
For lack of a more-sensitive term, a "complete" lady is chosen from the "crowd" and lies down on the bench. When the view switches between her right side & left (between 1:10 and 1:11 on the counter), this is an
EDIT involving the passage of time. The jump cut (i.e., the edit) is revealed by the changed position of the shadow underneath the bench, as well as the resting positions of both "helpers". Pause the video, and if you manually try to move the slider back and forth between 1:08 and 1:10/1:11 you will easily see the discrepancies between the two shots. Note particularly the change in shadow position underneath the girl holding the legs. This indicates at least a 5-minute progression of the sun.
A legless lady is now lying on the bench, inside a gimmicked costume, along with a small or very young person acting as the legs (note the smaller ankles and slightly-trimmer "mid-section"). The "legs" performer is lying on the ground underneath the bench with her legs held in a sitting position against the edge of the bench, with the prop skirt resting on her shins and concealing her presence. If you pause the video at 1:38, not only will you see the position of the shadow under the bench has again changed dramatically (suggesting yet another edit - possibly to allow the "legs" performer to move to the top of the bench) but the stature of this person can be better seen.
The fact that there are edits which allowed substitution of performers and props further tells us that everyone in the background is either "in" on the trick, or was otherwise distracted by some ruse while the switch was made (which, of course, we're not allowed to see). The women on the bench, and those holding onto them, are most certainly confederates.
When the gag is sprung, notice the accomplice holding the ankles doesn't pull at all, yet the other one pulls the lady fully across the bench, off the end, and gently helps her to the ground - all BEFORE reacting and running off screaming. Another reveal.
This is no different than an effect made for a feature picture, but it's rather unimpressive for a magician's repertoire. Anyone can do
anything in editing!
Best,
NYCinematographer