QUOTE (ConservativePessimist @ May 3 2006, 08:26 PM)

Yea... I don't get this really, I'm open to any opinions about why music effects how we feel/think. Feel free to use science or whatever else you choose to explain things.
Here's the gist of a 6-week conversation that I had with a musician via e-mail. It concerns a problem that I was experiencing with certain songs, which were affecting me both mentally and emotionally. I added the links in case anyone wants further info. Sorry about the length.
SQ: Except for the laa-la-laa-la-la's, "Don't Fear The Reaper" was definitely ahead of its time.
http://www.youtube.com/watch?v=ZdXfkkyI1nQI downloaded the sheet music and realized for the first time that the intro and verses are played by one guitar. It consists of playing the first 4 notes of 4 chords over and over at 144 beats per minute. At half the speed, this technique is obvious, but at full speed, the overall sound becomes... hypnotic, almost mystical. Another example is "Sweet Child O' Mine" by Guns 'N' Roses.
http://www.youtube.com/watch?v=P-AYAv0IoWII've been practicing "The Reaper" for two days now, and I'd be pretty good at it, if only I would stop freaking out over the sound that's coming out of my amp. But then again, maybe it's just me. I've also been searching the Internet trying to find an explanation, word, or phrase that describes this phenomenon. I'm beginning to think that it is something that some bands have discovered by accident.
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BH: In the guitar intro for "Don't Fear The Reaper", he's arpeggiating chord tones quickly to get that sound.
http://en.wikipedia.org/wiki/arpeggio----------------------------------------------------------------------
SQ: Thanks, that was the answer that I was looking for. It makes a lot more sense to me now. I figured that there must be an "already-known" scientific, or rather musical, explanation and nomenclature for this method of sound.
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BH: The reason that the intro sounds so hypnotic (mystical) is that he's using a pick and finger technique and the use of the open G string to create a pedal tone or droning sound with it. Then he arpeggiates the chord tones around that droning G, and it comes out in a cyclic pattern that you hear.
http://en.wikipedia.org/wiki/pedal_pointhttp://en.wikipedia.org/wiki/drone_%28music%29http://en.wikipedia.org/wiki/drone_musicIf you want to use a mode in a major sense to obtain a mystical sound (Steve Vai uses it constantly) use the Lydian Mode.
http://en.wikipedia.org/wiki/lydian_mode----------------------------------------------------------------------
SQ: Yes, after some additional reading, I believe that I understand it now. It's definitely the "drone effect" that's got my attention. Many love songs are chocked full of arpeggio-style playing, but "The Reaper" was the first song I've encountered that really emphasizes it. "Silent Lucidity" by Queensryche uses it but it seems hardly noticeable, and a banjo wouldn't be a banjo without a drone string. Thanks, I'm looking forward to playing more songs that use it. It's too cool to ignore.
http://www.youtube.com/watch?v=ThVSNLLr_l4----------------------------------------------------------------------
BH: I always thought a neat hook that used a drone string/pedal tone in E was, "Mama, I'm Comin' Home" by Ozzy and Zakk.
http://en.wikipedia.org/wiki/hook_%28music%29http://www.youtube.com/watch?v=qxIRNBqGMjw----------------------------------------------------------------------
SQ: Yeah, that one's definitely a good example. I've noticed that drone notes seem to serve many purposes. Other than just being catchy, they act as filler notes between the notes of the main melody, a good way of maintaining a constant rhythm throughout (pedaling?), and the illusion of more than one guitar being played. Even though the tabs may look easy to play, I sometimes find it more difficult than it actually is because of that last one. Maybe I should practice without playing the drone notes, and then add them in later.
I was just listening to Steve Vai. I can hear the drone effect during his double-tapping in the intro and at 4:08 through 4:37.
http://www.youtube.com/watch?v=2rl4l5sCUCs----------------------------------------------------------------------
BH: Yep, its a filler note, and it serves usually as the key center or anchor to the lick or phrase.