In Dan Brown's "The Da Vinci Code", millions of readers were introduced to the use of cryptograms by Secret Societies. Dan Brown went on to allude that English was considered the "lengua pura", or the one pure language "divorced from" the Roman traditions. Just perhaps he was hinting at a truth worth a more comprehensive gander.
Manley P. Hall, the late chronicler of Western Occult tradtions, had this to say about cryptograms as an esoteric study: NO treatise which deals with symbolism would be complete without a section devoted to the consideration of cryptograms. The use of ciphers has long been recognized as indispensable in military and diplomatic circles, but the modern world has overlooked the important rôle played by cryptography in literature and philosophy. If the art of deciphering cryptograms could be made popular, it would result in the discovery of much hitherto unsuspected wisdom possessed by both ancient and medićval philosophers.
In describing what is referred to as "the Acroamatic Cipher", Manley P. Hall added, The acroamatic cipher is the most subtle of all, for the parable or allegory is susceptible of several interpretations. Bible students for centuries have been confronted by this difficultly. They are satisfied with the moral interpretation of the parable and forget that each parable and allegory is capable of seven interpretations, of which the seventh--the highest--is complete and all-inclusive, whereas the other six (and lesser) interpretations are fragmentary, revealing but part of the mystery. The creation myths of the world are acroamatic cryptograms, and the deities of the various pantheons are only cryptic characters which, if properly understood, become the constituents of a divine alphabet. The initiated few comprehend the true nature of this alphabet, but the uninitiated many worship the letters of it as gods.
What is being implied is that "the gods" are really being framed around a "Sacred Alphabet", which the Initiated understand clear, and yet the masses worship as "God" in any given series of manifestations.
So just what is this "Divine Alphabet"? Is it "the real" "Crown Jewels" of the English Crown?
The Letters as "gods"
In the Acroamatic Cipher, Myths serve as a basis for a series of Letters that themselves combine to create a comprehensive set of symbols which become known as "Alphabets". In a very simplistic representation, we can see that the Cain and Able story is really an Acroamatic Cipher for two letters: The Letter A is Able and the Letter I is Cain. If one stands on "two feet", he is "able bodied", and if one requires the assistance of a "cane", it is presumed that only one "leg" has full functionality.
This is just the beginning of the archetypical framing, for the Letter A deals too with the Garden of Eden and the Letter I deals with the Dreidle (aka the Cube ciphered as Cherubim) and "flaming sword". That the Letter A is 1 and the Letter I is "one" creates a "confusion", wherein A is Osiris (the Eye of Osiris/Horus), thus A becomes the Pyramid Letter, while I is defined as "the Jewish god" of Jehovah/Typhon/Seth, also known as "the Ass".
One should not have to think far to realise that the shape of behind is the shape of an I running "down the middle" to form a "diameter" around the "bullocks".
The Letter A as 1 and the Letter I as 1 create the Greek Letter II, or Pi.
Plutarch comments further on this topic, and it is recommended that you read Isis and Osiris and On the Letter E at Delphi, appearing in Moralia V.
The Letters as Archetypical Glyphs
In the Da Vince Code, Dan Brown revealed clear that if you are to remain in balance (in your attempt to analyse "reality"), you must always remember to also see the "Sacred Feminine". "The Goddess", or the "Feminine", has always been pictured as the Letter V. The simple reverse of the Letter V reveals the archetypical EVE.
V = VEE = EVE
At the same time, the Letter V is given a value of 5, and yet the Sum of 1:5 is 1+2+3+4+5 = 15 = O Letter. We can surmise that O is "feminine" in that the Letter O is simply another dimensional representation of "V". Oft times, the Letter O is referred to "the Egg".
The addition of O and V in the formation of such words as OVulation and OVaries should hint clear as to the precise crafting of archetypes in the Letters being fused to adumbrations caste in everyday observations fused to natural events, often called "Nature".
At the same time, the glyph "^" has been used to represent the masculine. By combining V with ^, we create a new glyph called X, which when spoken in reverse, clearly shows the word EXES, and spun again, the very word SEX. In this same way, we can show that the Letter V is Feminine, and the Letter I is masculine, and when we combine the two, we create the Letter Y, with the added set of wisdom that the word WHY is a Code for the Pythagorean Theorem, for within Secret Society systems:
3^2 is 9 = Masculine = Height
4^2 is 16 = Feminine = Base
5^2 is 25 = Child = Hypotenuse
This quote from Mystic Masonry states the same rather succinctly:

Why Fore, N G Land?
Why fore, indeed, the very word, "England"? All etymological descriptives aside, there remains a crafted Gematria component. English is a hybrid language which has a life of its own, and if England is a "land of angles", why fore is the land littered with "circles", from stone to mysterious manifestions known as "crop circles"?
The real secret to England is to seperate the Letters and analsyze accordingly. In this case, we must break the word into its two components:
NG
LAND
What then, is NG? Here the sounds are hinted at in the global mythologies relative to the soundset "NG". And example:
AGNI - Agni is one of the most important of the Vedic gods. He is the god of fire, the messenger of the gods, the acceptor of sacrifice. Agni is in everyone's hearth; he is the vital spark of life, and so a part of him is in all living things; Now if there is a part of Agni in all living things, the what then of a PRE-GN-ANT?.
Igneus - Igneus - Igneus is both the Elemental Plane of Fire and the Shedaian god said to reign over it. The plane itself is an infinite expanse of flame and magma, incredibly hot. The god is the son of Aluminé and Umbrus.
GUN
GENES
GENERAL
GENESIS
ENGINE
INGRID
The GN sound revolves much around "fire" or elements regarding the genesis or creation of new concepts.
However, the numerical value of GN as an English Gematria is set by a fusing of the alphabet based on specific phonetics, phonetics encoded acroamatically in the Vedas. When Agni is described in anthropomorphic form, he sometimes has two faces which are smeared with butter. He has seven fiery tongues and sharpened, golden teeth. He is red in color, with black eyes and wild, black hair. He has seven arms and three legs, and seven rays of light emanate from his body. He either rides on a ram, or on a chariot, pulled by goats or sometimes parrots.
This shows the relationship and placements of G and C, wherein G is 7 and C is 3. This would be more effectively encoded into the Phonetics of "Hebrew", where in the G sound (aka Gimmel) would be set at 3, and yet has its English phonetic at Letter placement 7.
By making the transposition of NG = NC, we create the Masonic/Initiated Society word of CN = 3.14, or Pi, which accurately reflects the Code of NG Land.





ADM is simply PI in REVERSE (A=1, D=4, M=13) = 3.141. The archetype is crafted by taking the Letter M, dividing it IVI, reordering it VII, the reading it BACKWARDS as if in Hebrew.