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gasc1988

Two new Poussin paintings key to RLC mystery

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2 UNKNOWN POUSSIN'S PAINTINGS DISCOVERED :THE KEY OF RENNES LE CHATEAU'S MYSTERY AND SHOUGBOROUGH :POUSSIN'S SECRET IS DISCOVERED

There is a great mystery Rennes le chateau with strange priest Sauniere . Nicolas Poussin is in the center of this mystery . Many people believe since long years it's the "BERGERS d'ARCADIE" which give the answer!but there has been no answer in this painting just some hypothetic answers . There is 6 years I've received from my mother 2 paintings which were in my family since a long time . They came from a priest Henri Gasc ,priest in a church Notre Dame de Marceille near Rennes le chateau . He was my ancestor.Since 6years we 've discovered that these paintings were of Nicolas Poussin and were the key of the Rennes le chateau's mystery and the key of Poussin's secret .

We have found many symbols and many hidden symbols in these paintings ,which give the answer at all the questions about this mystery . I tell about all this story and my discoverings in my site

http://www.lesecretdepoussin.com/

There has been a reportage on the greatest french TV to explain my discoverings . These 2 paintings have been found in a crypt of the church where Gasc was priest . near Rennes le chateau . He has discovered the secret in these 2 paintings and has passed on the secret in parchments, these famous parchments which have been founded in Rennes le chateau's church by Sauniere . There has been no luck discovering by Sauniere , but these parchments have been placed here, to be found and pass on the secret . Read my incredible story which explains this fabulous mystery ....

In these paintings there is a code to find the answer at this secret . There is a hidden message and a hidden picture in each painting.You must find it to understand. .

The Poussin' seal is a boat ,in conection with Argonautes . This Poussin's seal is in connection with Poussin's secret . Look my painting which also is in connection with Argonautes

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Can you post a link to the English version please?

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Can you post a link to the English version please?

yes in some days!all the site will be all in english! But I want a well translation so my son who works at USA ,and a professional do it !thank youto wait it . I send in this forum but another thread ??I do't want to do anything wrong with your rules? I send to day an interview which can be also seen in english . In this interview ,I give a lot of revelations.

FGASC

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Posted (edited)

The paintings really are related to the Rennes le Chateau mystery, in my opinion. I did a geometric analysis on them and found that they contain geometry which is a combination of a hexagram and a pentagram. It took me a while to find it. Not very obvious. I did eventually hit it though. I then analyzed a Google Earth image of the RLC area and discovered the exact same figure in the landscape marked out by several locations, including Esperaza church. As far as I know, this particular layout has never been reported previously by Henry Lincoln or anyone else. The center of the figure is just South of RLC rather than right in it, which may be what prevented its prior discovery.

Whether or not the paintings were really done by Poussin is debatable but their provenance is known to go back to Henri Gasc and the Cathedral of Notre Dame de Marseiles, if I understood Ms. Gasc correctly ( there are quite a few different "Notre Dames" around). Whoever painted them was clearly familiar with Poussin's "Jonah Cast into the Sea", a painting which was housed in the Blue Velvet Room of Buckingham Palace in the 1800s. I don't know if it's stil there or not but an etching copy is available on the Net. It is similar but significantly different from the Gasc painting of the same subject. It may never be established who painted them but nonetheless the important thing is that they are related to the RLC mystery and appear to have similar geometry to the RLC region. Could be coincidence, could be not coincidence.

j9mxdw.png

ne9g68.png

35jghp2.png

Edited by GS1

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The paintings really are related to the Rennes le Chateau mystery, in my opinion. I did a geometric analysis on them and found that they contain geometry which is a combination of a hexagram and a pentagram. It took me a while to find it. Not very obvious. I did eventually hit it though. I then analyzed a Google Earth image of the RLC area and discovered the exact same figure in the landscape marked out by several locations, including Esperaza church. As far as I know, this particular layout has never been reported previously by Henry Lincoln or anyone else. The center of the figure is just South of RLC rather than right in it, which may be what prevented its prior discovery.

Whether or not the paintings were really done by Poussin is debatable but their provenance is known to go back to Henri Gasc and the Cathedral of Notre Dame de Marseiles, if I understood Ms. Gasc correctly ( there are quite a few different "Notre Dames" around). Whoever painted them was clearly familiar with Poussin's "Jonah Cast into the Sea", a painting which was housed in the Blue Velvet Room of Buckingham Palace in the 1800s. I don't know if it's stil there or not but an etching copy is available on the Net. It is similar but significantly different from the Gasc painting of the same subject. It may never be established who painted them but nonetheless the important thing is that they are related to the RLC mystery and appear to have similar geometry to the RLC region. Could be coincidence, could be not coincidence.

j9mxdw.png

ne9g68.png

35jghp2.png

Interesting idea. I would never have thought of two geometric shapes overlaid. Using geometric shapes was a well known method for many artists for hundreds of years though, right?

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Posted (edited)

Interesting idea. I would never have thought of two geometric shapes overlaid. Using geometric shapes was a well known method for many artists for hundreds of years though, right?

Yes, in a way, but that was generally just very basic whole number proportions (harmonic proportions) or Phi proportions, things like that. This is more like purposely concealing a geometric shape and only indicating its presence by a very few references in the features, like masts in the case of these paintings. I don't believe this was done for harmonic type reasons but more of a puzzle to be solved by someone who had a suspicion that certain "sacred" geometry figures may have been concealed. If you weren't purposely looking for this type of figure, a hexagram or pentagram being the most obvious ones to look for, you would not have been aware that they had been indicated by certain features.

This is not a case of the geometry being the basis of the layout of the whole painting, it's only a few features which are related to the geometry. That's why I say that it's not merely an artistic technique. It's possible that I don't have the figures positioned exactly as the artist intended, but based on the Rennes-le-Chateau area landscape geometry I also showed, I'd say it's a good bet that this is the geometry which is in those paintings. At least one mast in each painting appears to exactly match the angle of one of the lines of the geometry. That tells me it's really in there, even if I don't have it exactly right yet. This version does look pretty good though.

In the painting of the caravell, or whatever that ship is, it's not the main mast that is the reference, but a smaller secondary mast. That makes it a little harder to solve the puzzle. Also, the top point of the hexagram isn't on any feature, as you might expect. It's location is indicated, instead, by the small flag above it. It's right below the flag. That's the reference. Then you have to make the circle so that it passes through the knobby thing on the main mast where the flagpole joins it. See how the artist made this painting much harder to solve than the other one?

It is fortunate that Ms. Gasc contacted me. How long do you think it would have taken for somebody else to find that? The solution is far from obvious. It's pretty difficult stuff. That then spurred me to look for a similar figure in the RLC landscape. So you could say that if Ms. Gasc had not contacted me then the real RLC pentagram would probably never have been found. Or maybe I'm just being overly dramatic. Maybe it's nothing, who knows?

Edited by GS1

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Posted (edited)

I made an improved version. I wasn't really happy with the firsy one anyway. This one uses the horizontal pole on the main mast as the reference for one of the pentagram lines while the pole of the large flag references a line of the hexagram. The whale's tail appears to be involved and also his eye. Some parts of the geometry extend beyond the borders of the painting. This is usual for these type of secret geometry paintings. It makes it a little more difficult to solve. Something which makes this one a little tricky is that it's not one of the actual pentagram lines being indicated by the mast pole, but a line bisecting the left arm.

2n21abm.png

Edited by GS1

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Here's an odd thing on the ground near the part of the RLC geometry I showed earlier which corresponds to approximately where the falling Jonah is in the painting. It looks like a labyrinthe or something.

2pbap.jpg

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Posted (edited)

New version of the Storm on the Sea of Galilee painting geometry.

2qcqcgj.png

Edited by GS1

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Posted (edited)

I was just looking at Google Earth to see what some of the geometry points happen to hit. Seems the right arm point of the pentagram is on the flank of Mt. Blanchefort and the lower right hexagram point is in Coume Sourde and the bottom point is on a flank of Serre de Lauzet. Not being familiar with France, I didn't even notice Blanchefort when I first posted that image. Certainly seems to confirm that my discovery is real though.

I also used the ruler in Google Earth to see how big the circle is. The only units it was an even number in was nautical miles, ie; one minute of arc on a meridian. It's exactly 4 nautical miles in diameter.

Edited by GS1

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2 UNKNOWN POUSSIN'S PAINTINGS DISCOVERED :THE KEY OF RENNES LE CHATEAU'S MYSTERY AND SHOUGBOROUGH :POUSSIN'S SECRET IS DISCOVERED

There is a great mystery Rennes le chateau with strange priest Sauniere . Nicolas Poussin is in the center of this mystery . Many people believe since long years it's the "BERGERS d'ARCADIE" which give the answer!but there has been no answer in this painting just some hypothetic answers . There is 6 years I've received from my mother 2 paintings which were in my family since a long time . They came from a priest Henri Gasc ,priest in a church Notre Dame de Marceille near Rennes le chateau . He was my ancestor.Since 6years we 've discovered that these paintings were of Nicolas Poussin and were the key of the Rennes le chateau's mystery and the key of Poussin's secret .

We have found many symbols and many hidden symbols in these paintings ,which give the answer at all the questions about this mystery . I tell about all this story and my discoverings in my site IN ENGLISH NOW

http://www.lesecretdepoussin.com/

There has been a reportage on the greatest french TV to explain my discoverings . These 2 paintings have been found in a crypt of the church where Gasc was priest . near Rennes le chateau . He has discovered the secret in these 2 paintings and has passed on the secret in parchments, these famous parchments which have been founded in Rennes le chateau's church by Sauniere . There has been no luck discovering by Sauniere , but these parchments have been placed here, to be found and pass on the secret . Read my incredible story which explains this fabulous mystery ....

In these paintings there is a code to find the answer at this secret . There is a hidden message and a hidden picture in each painting.You must find it to understand. .

The Poussin' seal is a boat ,in conection with Argonautes . This Poussin's seal is in connection with Poussin's secret . Look my painting which also is in connection with Argonautes

thanks for pictures GS1 !wonderful work

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Posted (edited)

I'd like to state that I don't personally believe Francoise Gasc's paintings were done by Poussin. In the video on her site you can see that they are only about 12'18" wide. Poussin never made paintings that small. Her site says that her parents didn't specify any particular artist to have made the paintings. That they were done by Poussin was just Francoise's own idea. What made her think that, I don't know. Being that small, Poussin is the last painter I would have attributed them to.

I do however believe that they were painted by somebody involved in a secret society, probably in the 17-1800s. The Jonah one is clearly based on Poussin's painting "Jonah cast into the Sea", so there may be a Poussin link that way, but it clearly wasn't painted by him, the whale/fish looks quite different from Poussin's.

Edited by GS1
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Posted (edited)

I made a new Google Earth geometry image. In this case the circle is 7777 yards in diameter. The center line passes through the tower on the RLC church. I guess the idea was to have the church at the "heart" of the pentagram, representing Mary Magdalene, the hexagram representing presumably Jesus.

mttkc7.png

Edited by GS1

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.

It's absolutely wrong ,but very wrong ,sorry what you said about "petits formats" by Poussin!!!I don't know why you say that ? Poussin has painted on easel and little paintings . You have some examples "Ravissement de St Paul " ( 41,5 /30 )

Le Ravissement de saint Paul

1643

41,5 x 30 cm

Peint pour Paul Fréart de Chantelou

Sarasota, Floride, John and Mable Ringling Museum of Art (en)

" la Piéta" "Ste Rita" ( 48/37° "L'annnonciation(45 /38)..'l'assomption de la vierge " 58/37)etc..many other paintings little size

we have worked about Poussin with art professor at Paris Beaux Arts the biggest art scholl .and with an expert .There is pigments analysis !expert has found the same as in another Poussin painting! so it's not possible to say it's not Poussin !

You don't believe Brian we say my paintings are by Poussin as it ! at TV and on a site !!!! there is a lot of work and read on my site what Mrs Whitaker says about my paintings !nobody has said me there are not by Poussin . but in england and also in france many people have worked about Bergers arcadie and don't like my paintings are by Poussin for this reason !!there are many interests from each person and it's for this reason people don't answer !

your work is well in sacred gemetry but art domaine is special and for specialist ! we have specialist around us about it, and it's for this reason our work is very serious and argumented .

We could sell these paintings and one of expert want speak about my pantings with Rosenberg . It's me ,who has say no about it . I wanted reveale the story.

Your alysis about little formats is intersting when you say "it's for secret"...these paintings were hidden in a little place and have travelled so little format was easier

but thanks GS1 for your travel about sacred geometry ! but for art we must have a particular knowledge

Here is what says the french researcher about Poussin !in french to translate!

propos du chercheur français qui travaille sur Poussin et RLC

sa construction n'est pas conventionnelle mais il n'échappe pas aux axes et aux points de repères...

Sur ce tableau,en plus du 5,nous avons aussi le 6 (toujours grâce au rectangle d'or et Phi et aux axes divulgués par les mats du bateau)

l'homme en l'air entre le bateau et le monstre est extraordinaire dans sa position car il forme une croix et donne le centre du cercle jumeau avec le cercle bleu formant l'étoile à 6 branches (ce point avec le jaune sont les plus importants du tableau et les angles formés par les branches gauches du pentacle et de l'hexagone pourraient donner une latitude et longitude si le peintre avait pour but de cacher un endroit quelconque (moi c'est ce que j'aurai fais...)

voilà j'espère que ça te suffira,ainsi les formes m'ont parler.quand j'ai lu ta réponse et que j'ai vu le nom du peintre j'ai eu un sourire...j'ai fais tout un sujet sur ce peintre et ses toiles en plus d'une recherche sur le mystère de Rennes le Château,donc cela ne m'étonne pas d'y avoir trouvé une symbolique à pentacle et le nombre d'or (tout comme Léonard de Vinci d'ailleurs).

ce secret repose sur un savoir Atlante caché dans la région surement dans une grotte ou caverne intérieure (pas loin il y a le mont Buggarach).tout le monde crois que c'est un trésor matériel alors que finalement non.

ce savoir doit inclure une preuve concrète de l'existence d'une ancienne civilisation antérieure à la notre venant des templiers et Cathares et doit mettre en péril les croyances erronés de l'église catholique (et des religions en général)

dans mes recherches j'y ai trouvé des corrélations avec les constellations d'Hercule et le Bouvier

NP sont ses initiales

la majorité de ses tableaux montrent des paysages avec des bâtisses ou châteaux et ce qui pourrait être un pic rocheux avec des personnages plus ou moins mythiques (anges,diables,titans,etc...)

je pense aux paysages des environs de Rennes le château,du mont Bugarach (voir mystères et légendes liées à ce mont)

il y a toujours présence du nombre d'or et une étoile à 5 branches caché dans la construction du tableau créant des axes et points qui montrent peut être des endroits secrets si l'on se trouve dans le champ de vision des personnages présent dans les tableaux si l'on se rend dans ses lieux dans la réalité

.

-------------

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Well, okay, I was unaware of any small Poussin paintings. Still no good reason to believe they were painted by Poussin though, especially when the pigment analyisis indicated different ingredients in EVERY color paint they tested against a known Pouissin painting. I noticed on your site that the Jonah Cast into the Sea painting I mentioned as being by Poussin and having a different looking whale/fish is actually by another painter, Gaspard Dughet. So that may explain the difference in the style of the two paintings. I still can't get around the fact that the pigment analysis was different from Poussin's pigments and that there is a signature mark on one which is not a Poussin mark.

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Posted (edited)

I have made a final version of the RLC geometry. I found the Esperaza church and put the left pentagram point right at the steeple then made the size of the geometry such that its vertical centerline passes right through the RLC church steeple/tower. RLC is sort of heart shaped and Sauniere is known to have been a "sacred heart" devotee. Here's a window from the Villa Bethania.

ibj3_7.jpg

Here's the geometry with RLC as the sacred heart of the pentagram. Actually, if you accept that the hexagram represents Jesus and the pentagram Mary then you actually have the sacred hearts of both overlapped in the geometry. The only two reference points you need are Esperaza church steeple and RLC church steeple. When the left arm point and the centerline are placed at those points then the circle can only be one possible size, which is 4.4 normal miles. I don't know if the diameter is of any particular significance or just chance result, but it comes in handy as a memorable figure.

157kx8n.png

Edited by GS1

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Whether or not this geometry was purposely incorporated into Francoise Gasc's paintings, I believe that it is a legitimate RLC landscape geometry. It makes perfect sense to me that somebody in a secret society related to the Sacred Heart would have seen RLC as the heart of a large figure, a pentagram being the obvious one to represent a goddess or revered female, due to its association with Venus/Aphrodite. I find it unlikely that anybody would possess Poussin paintings and then forgot who painted them. It's conceivable, of course, just like any painting anybody buys at a garage sale could conceivably be by Poussin. There's just no evidence to confirm it, which is what it all comes down to really. If Ms. Gasc has no hesitancy in making completely unsupported statements in public about who painted what paintings, that's her prerogative. Personally, I like to make statements only when they are actually supportable. FIRST you get a signed statement to the effect that Poussin is more likely to be the artist than not from the Louvre Museum, THEN you publicly say that they are by Poussin. I haven't seen any such statement on Ms. Gasc's site yet. That makes me wonder why not. Easy enough to find the Louvre Museum.

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to GS1 and about his post

HERE is what GS 1 sent me on my mail a few days ago

i think GS1 has an idea on his head since this time where i send him confidential elements

it s bad to do that.

GS! said

Mr. Gasc, if those are real Poussin paintings, and it appears to me

that they are, you must realize that they are worth probably at least

$10,000,000. Another Poussin painting, Mount of Olives, sold for 6.7

million at auction in 1999.

These two St. Paul paintings are a pair like the first and second

Shepherds of Arcadia paintings. You have le Naufrage de Saint Paul,

versions 1 and 2. It's not about the Argonauts after all. Completely

different story.

You are a very fortunate man, Mr. Gasc, to have inherited these

paintings. You will become very famous shortly I'm sure. You'll have

to prove they are real though. It is of course possible to hire

someone to paint in the style of Poussin. Considering that you didn't

even know what the subject being depicted was, I'm assuming you are

being honest. It's just a matter of whether or not your ancestors got

genuine paintings. From the style and the matching depiction of St

Paul in another Poussin painting, my opinion is that they are

legitimate. This must be very big news in the art world. Nobody even

knew they existed until you announced it, because they were privately

owned and stored by your ancestors. The fact that you actually possess

both versions is amazing. The two Shepherds of Arcadias got split up.

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here are english version about french researcher more serious , ive sent at GS these sacred geometry realized by this person and after GS has changed his version ,

HOW PUT PICTURES ON THE POST PLEASE

its construction is not conventional, but it is not immune to the axes and points of markers...

On this table, in addition to the 5, we have also 6 (always with the rectangle of gold and Phi and the axes disclosed by the masts of the ship) the man in the air between the boat and the monster is extraordinary in its position because it forms a cross and gives the center of the twin with the blue circle circle forming 6-pointed star (this point with yellow are the most important of the table and the corners formed by the) left branches of the pentacle and the hexagon might give a latitude and longitude if the painter was designed to hide a place any (me is what I do...)

so I hope that it will suffice you, thus the forms have me parler.quand I have read your response and I saw the name of the painter I got a smile... I do a topic on this painter, his paintings and a research on the mystery of Rennes le Château, so this doesn't surprise me is finding a symbolic to pentacle and the number of gold (as Leonardo da Vinci also).

the secret is based on knowledge Atlantean hidden in the region certainly in a cave or cave Interior (not far there is Mount Buggarach) doing the world believe that this is a hardware treasure then finally not.

This knowledge must include concrete evidence of the existence of an ancient civilization prior to our from the Knights Templar and Cathar and putting at risk the beliefs wrong of the Catholic Church (and religions in General) in my research I found correlations with the constellations of Hercules and Bouvier NP are initials the majority of his paintings show the landscape with buildings or castles and what could be a rocky peak with characters more or less mythical (Angels, Devils, titans, etc...)

I think the landscapes in the vicinity of Rennes of the Castle, Mount Bugarach (see mysteries and legends related to this mountain) there is presence of the number of gold and a 5 star branches hidden in the construction of the table creating axes and points that show may be secret places if it is in the field of vision characters present in the tables if it goes to places in the real world.

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Posted (edited)

Yeah, at first I thought they were Poussin paintings, because I didn't know how small they were and I figured somebody in your family had said that they were. Then I saw their small size and read the pigment analysis on your site more closely. Eventually I realized that there was really nothing to suggest that they were by Poussin other than your words. If they WERE Poussin paintings THEN they would be worth $10,000,000. As it is, they are worth maybe $10,000 if you get lucky at auction and you have an authenticated history of them being in Notre Dame de Marceille.

Now my question to you is why are you so reluctant to entertain the notion that they may NOT be by Poussin? Why does the artist matter so much to you? It can't be about the RLC mystery because Poussin is a very peripheral player in that mystery, having only been mentioned in one parchment which is thoroughly proven to have been made by Philippe de Cherisey. Why exactly do you care so much that they be painted by Poussin? I showed you the secret geometry contained within them, you should be quite happy about that. All you had besides that was the stuff that other guy did, which is nothing. There is no Phi proportion in those paintings. I checked that myself. The geometry you got from him is completely meaningless. It was nice of him to attempt a solution but he was just way out of his league.

I think the letters that you thought were "Pou S X" are in fact "Tou. S X", which means Toulouse France and Saint Xavier. The painting must have came from Eglise St-François-Xavier, Toulouse. It was built in the 19th century.

Edited by GS1

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o GS1 you must learn before talking !it's not serious what you say !

in France with expertise we have and it's on my site we can attribute with other proofs we have these paintings to Poussin .it's ridiculous what you say and stop please !

GS1 you have received from me confidential documents and since he says wrong things.

i will no more answer you now !

i send pictures sacred geometry from the french researcher

http://imageshack.us/photo/my-images/811/tablea101.jpg/

http://imageshack.us/photo/my-images/99/tablea111.jpg/

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2 UNKNOWN POUSSIN'S PAINTINGS DISCOVERED :THE KEY OF RENNES LE CHATEAU'S MYSTERY AND SHOUGBOROUGH :POUSSIN'S SECRET IS DISCOVERED

There is a great mystery Rennes le chateau with strange priest Sauniere . Nicolas Poussin is in the center of this mystery . Many people believe since long years it's the "BERGERS d'ARCADIE" which give the answer!but there has been no answer in this painting just some hypothetic answers . There is 6 years I've received from my mother 2 paintings which were in my family since a long time . They came from a priest Henri Gasc ,priest in a church Notre Dame de Marceille near Rennes le chateau . He was my ancestor.Since 6years we 've discovered that these paintings were of Nicolas Poussin and were the key of the Rennes le chateau's mystery and the key of Poussin's secret .

We have found many symbols and many hidden symbols in these paintings ,which give the answer at all the questions about this mystery . I tell about all this story and my discoverings in my site

http://www.lesecretdepoussin.com/

There has been a reportage on the greatest french TV to explain my discoverings . These 2 paintings have been found in a crypt of the church where Gasc was priest . near Rennes le chateau . He has discovered the secret in these 2 paintings and has passed on the secret in parchments, these famous parchments which have been founded in Rennes le chateau's church by Sauniere . There has been no luck discovering by Sauniere , but these parchments have been placed here, to be found and pass on the secret . Read my incredible story which explains this fabulous mystery ....

In these paintings there is a code to find the answer at this secret . There is a hidden message and a hidden picture in each painting.You must find it to understand. .

The Poussin' seal is a boat ,in conection with Argonautes . This Poussin's seal is in connection with Poussin's secret . Look my painting which also is in connection with Argonautes

It is very interesting. And I agree that the cliffs/buildings do appear to my Non-expert eye to be very similar to Poussin. I don't think the comparisons with the clouds and the shadowing is very convincing however. Same with the hands of Jonah being lifted. That was very common posture in medieval painting.

The comparison to Paul Bril is very interesting. If I saw all these Poussin paintings and the Bril paintings. I'd guess immediately that these were related more to the Bril paintings. Bril apparently worked in Rome at the same time as Poussin, and he apparently was noted for making landscape and seascapes that were even smaller then the ones on your website/page.

http://en.wikipedia.org/wiki/Paul_and_Mattheus_Brill

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o GS1 you must learn before talking !it's not serious what you say !

in France with expertise we have and it's on my site we can attribute with other proofs we have these paintings to Poussin .it's ridiculous what you say and stop please !

GS1 you have received from me confidential documents and since he says wrong things.

i will no more answer you now !

i send pictures sacred geometry from the french researcher

http://imageshack.us.../tablea101.jpg/

http://imageshack.us.../tablea111.jpg/

And what "confidential documents" might that be? Oh, you mean the images freely available to the entire world all over the Internet because you posted them everywhere? Funny looking "documents". Look more like paintings to me. Anyway, I had to provoke you by questioning your Poussin theory to see how you would react. Had you acted in a normal manner and said "I'm sorry you don't share my opinion" then you would have been shown to be a reasonable person with an objective scientific mind who is probably being honest. Instead, you became rude and abusive and refused to even consider that you may be wrong. What does that tell the forum viewers? It tells me that I must say thank you for saying that you won't reply to me anymore. That will cut down on my daily abuse by about 98%.

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Well the paintings certainly are old.Have you contacted the louvre about them? They may be able to clean them and even identify the painter. If not done by Poussin, maybe they were painted by a student of his.Some painters did have students back in those days,and even had a school where they taught painting.If there is a connection to Rennes, it maybe more than geometric shapes ,but what it is i can't say.Unless the buildings in the first painting represent Rennes Le Chateau.

The maze shaped form in the photo does appear to be a labaryinth.The question is, do the locals know about it.What was on the land in the past?Was there some sort of building there,etc?

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