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Still Waters

Cathedral finds composer graffiti dated 1638

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Graffiti dating back 375 years has been uncovered at Exeter Cathedral.

A name scratched into the building's stonework dated 1638 is that of 17th Century composer Matthew Locke, who was a chorister there before going on to write music for the king.

The discovery was made after the cathedral's organ was removed for restoration, as John Danks reports.

http://www.bbc.co.uk...ngland-23009134

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Neat story!

Some information on Locke:

Locke was born in Exeter and later trained in the choir of Exeter Cathedral, under Edward Gibbons, the brother of Orlando Gibbons. At the age of eighteen Locke travelled to the Netherlands, possibly converting to Roman Catholicism at the time.

Locke, with Christopher Gibbons (the son of Orlando), composed the score for Cupid and Death, the 1653 masque by Caroline-era playwright James Shirley.[1] Their score for that work is the sole surviving score for a dramatic work from that era.[2] Locke was one of the quintet of composers who provided music for The Siege of Rhodes (1656), the breakthrough early opera by Sir William Davenant.[3] Locke wrote music for subsequent Davenant operas, The Cruelty of the Spaniards in Peru (1658) and The History of Sir Francis Drake (1659).[4] He wrote the music for the processional march for the coronation of Charles II.[5]

In 1673 Locke's treatise on music theory, Melothesia, was published. The title page describes him as "Composer in Ordinary to His Majesty, and organist of her Majesty's chapel"—those monarchs being Charles II and Catherine of Braganza. Locke also served King Charles as Composer of the Wind Music ("music for the King's sackbutts and cornets"), and Composer for the Violins. (His successor in the latter office was Henry Purcell;[6] Locke was a family friend and may have had an influence on the young composer[7]). In 1675 he composed the music for the score of Thomas Shadwell's Psyche.

From: http://en.wikipedia.org/wiki/Matthew_Locke_%28composer%29

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